Malkin Grey
malkingrey
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Half-Blood Prince Thoughts...

...behind the cut, of course.

Dumbledore's death -- was dramatically inevitable. Given that Harry is the hero of the series, the "one wizard Lord Voldemort ever feared" has to be out of action before the final book, so that the responsibility for the Dark Lord's ultimate defeat or ultimate victory is in Harry's hands. Also, the death was probably something planned out in advance, though perhaps not in complete detail, by Dumbledore. Why else take no one along on the final adventure except Harry, and why else swear him to complete obedience?

Snape's betrayal -- is almost certainly not entirely what it seems. Snape is not Harry's Big Ultimate Antagonist, any more than Draco Malfoy is; the main thrust of book seven has got to be "Harry versus Voldemort", not "Harry versus an annoying schoolmate and a teacher he never liked." Lesser adversaries than the Dark Lord are being cleared away from the plot, not added -- Wormtail makes barely a token appearance; Lucius Malfoy is nowhere in sight; Kreacher has been shuffled off to work in the Hogwarts kitchens under Dobby's watchful eye; even the Death Eaters, while increasingly active, are mostly doing their Death Eaterly deeds offstage. Also, Rowling has been doing a carefully choreographed fan dance with Snape's backstory and motives all along: first he hates Harry; then he saves Harry because he owes James Potter a life debt; then he's revealed as an ex-Death Eater and a double (and therefore possibly triple) agent; then we discover that he came from an abusive home and was the target of bullying on the part of James Potter and Sirius Black during his school years. It would be uncharacteristic, at this point, to have had the big definitive reveal on the subject with an entire book's worth of plot to go.

The action at the climax -- we may not yet know everything that actually happened. We do know from Goblet of Fire that Rowling likes to do action set-pieces which turn out, later, to have had other stuff going on besides what the viewpoint characters saw, and where the true interpretation of observed events turns out to be something other than what we were initially led to believe.

Draco -- annoying, as I said, and cowardly, and the world's most incompetent would-be murderer. But he has, so far, not gone across the line, and may still be a redeemable character. Or, at the very least, a character sufficiently not-evil so as to still be standing at the end of the series.

Slughorn -- probably not evil, but I suspect insufficiently good. Entirely too fond of power and influence, and probably buyable with cash and creature comforts. And one should not forget that it was on his watch that Tom Riddle first turned Slytherin House into a nest of Death Eaters.

Tom Riddle -- downright creepy. Rowling's worked bits of classic serial-killer pathology into this portrait of Voldemort as a young man, including the way he got his start in tormenting small animals, and the way he likes to collect "souvenirs". The story of the two younger orphans he took into the cave is also extremely creepy. And the lake full of bodies recalls, unpleasantly, a killer's hidden victims.

(There's an interesting three-way parallism going on, too, with Riddle, Snape, and Harry -- all three had unpleasant or abusive childhoods, though Riddle, who turned out the worst, seems to have gotten off the easiest of the three of them. The Muggle orphanage as seen in Dumbledore's memories appears bleak and unappealing, but not actively hellish; young Tom's room is certainly more comfortable than a cupboard under the stairs.)

Albus Dumbledore -- a bit creepy at times in this book, as well. (That blackened and withered arm makes an uncomfortable parallel with Wormtail's silver arm, just for starters.) His goals and motives are even more obscure than they were before, and his methods sometimes seem a bit dubious -- putting Harry up to the job of getting Slughorn's deliberately obscured memories seems a bit "off" to me, somehow, though it's in line with his earlier use of Harry as bait to draw Slughorn into teaching at Hogwarts. Given the emphasis in this book (and throughout the series) on changed and illusory appearances, I almost wonder whether we may be scheduled to find out that Dumbledore was actually Voldemort, or a horcrux-produced fragment of the Voldemort persona, all along in this book. If I could just figure out a plausible reason for a Voldemort-avatar to feed Harry Potter the Tom Riddle backstory, and could figure out why a Voldemort-avatar might need to uncover Slughorn's self-obscured memories of an incident Tom Riddle was present at the first place, then I'd be in business.

Current Mood: thoughtfulthoughtful
Comments

I've been spinning out a theory elsewhere -- based on various bits of foreshadowing in the first few chapters, plus some distinct oddnesses in the characterization in Chapters 25-28 -- that during the entire cave-adventure episode through to the duel on the battlements and its aftermath, Dumbledore and Snape are disguised as each other.

That duel makes a lot more sense if it's Snape's "great sacrifice/redemption" scene than it does as Dumbledore's death -- especially because if it's Dumbledore who goes off with the Death Eater army at the end, that sets the stage for a Book Seven in which one of Harry's jobs is probably to rescue Dumbledore from direst peril, a job that may very well require him to work with Snape as Snape.

I've been skeptical for a very long time about all the speculation in the direction of Tragic Climaxes (Snape giving his life for Harry's, most notably), because I've never thought Rowling's universe or agenda has the shape of tragic drama. If I've guessed right, however, Rowling has cleared away most of the potential tragedy and set Book Seven up as essentially and fully redemptive on all fronts.

There's certainly something funky going on with Dumbledore in this book, especially during the last portion of it. One could almost say that he appears fey, in the old sense of having an awareness of his own fated death.

Also,there are a number of things that are left unexplained. We never do get a full explanation of the withered arm and the cracked ring, for example. Nor do we ever get told what Dumbledore's reason is for trusting Snape -- but Rowling certainly does her best to tie a bright red flag to whole idea. She has Harry repeatedly bring up the issue of Snape's reliability, only to have Dumbledore say that yes, he has a reason for trusting Snape and no, he isn't going to tell Harry what it is. That's not just a bit of authorial handwaving to sneak a necessary bit of gratuitous character stupidity past the reader -- when circumstances force a writer to pull a coverup like that, the trick is to do it fast and then move on without looking back. Rowling, on the other hand, makes certain that even novice readers are going to remember that Snape and Dumbledore have a mutual history of which Harry is still ignorant.

Then there is the way that Dumbledore finally gives Snape his chance to teach Defense Against the Dark Arts, despite the fact that -- as we learn by the end of the book -- Dumbledore knows that Tom Riddle cursed the position, and that Snape will only last a year in it. This move also smacks of some kind of set-up on Dumbledore's part.

Nor do we have any indication that Dumbledore is a naively trusting individual; for example, we see in HBP that he had misgivings about Tom Riddle from the very beginning. Rather, Dumbledore's characteristic failing (going by what we've seen in the books so far) would appear to be a tendency to give out the least possible amount of information to the fewest number of people . . . which actually makes sense, if one considers that underneath his twinkling-eyed, dotty-old-man façade, Albus Dumbledore is a spymaster in the grand tradition.

I began to think, when Dumbledore and Harry were discussing the horcruxes and whether or not they might be living things, like Nagini, that Harry is one. It would certainly explain why he didn't die when he was a year old.

The question then, of course, is what exactly did Lily Potter do -- besides dying a sacrificial death -- to screw up the act of horcrux-creation badly enough that Voldemort was blasted into bodilessness for over a decade?

I'm wondering now what sort of revelations we're going to get about Lily in the seventh book.

Of course, if Harry's one of Voldemort's Horcruxes (which is certainly possible, if baroque), the question becomes how Voldemort can be destroyed without getting Harry killed in the process.

Harry not listening to his house elf who said he too had information, I suspect has a role to play in the next book as a bad decision made in the current one.